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I sometimes think that perfection is unremarkable. We have mortality to deal with.” The thing that is beautiful is, within those limitations and within the foibles of human nature, there’s beauty to be found. And it really came to me from, “Look, we are all human. Tessa did such a great job of owning that last look and being at peace with this universe. It’s not in any way, in my mind, a sign of defeat. In the end, Hale, for me, when she dies, it’s supposed to be a beautiful thing of grace and ownership. ( Laughs.) To me, that is what I was getting at. Hale called it a bug, but it felt more like a feature, that the hosts were struggling to find meaning in their lives - in a loop or not - just like humans do.
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It increasingly feels like we’re all just code, whether it’s genetic or computer - especially when the hosts were dying by suicide earlier this season. The line between humans and hosts has gotten thin. How will that be different? What new things can be learned? And, is it possible to even break out of that cycle? What does that look like? Now we’re moving toward, gods willing, a season in which Dolores has control and the cycle will repeat one last time. What role does she make? Ford had control - humans had control - in the first season. There are definitely downswings in history and in personal history, and so it’s the idea of revisiting motifs and adjusting. So you’re hoping that with each epicycle, progress is made - that you’re moving toward somewhere good. The cycles of violence, the cycles of destruction, the cycles of rebuilding. We are trapped in certain behaviors that get recycled and repeated in different permutations again and again, as individuals and as a collective. From the very beginning, in season one, we talked about characters being on loops, and how do you break these loops? I think that even with human beings, that’s why self-help books are so popular in bookstores and online. I think it’s a really astute observation. How much has that idea actually driven past storytelling, and will it drive future seasons? On Westworld, “everything old is new again.” That has never felt more true than for season four. When I spoke to a member of your makeup VFX team, he said something that really stuck with me.
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The Hollywood Reporter spoke to Westworld co-creator Lisa Joy about just that, and broke down how several of the show’s other various themes played into this season - and where the series is heading as it awaits a renewal. It’s an interesting concept following the events of season four, which has never seen the line between host and human thinner. Built from memory in the sublime - after both the human and host-led societies have crumbled - Westworld’s first fully functional host is now ready to play God. As viewers see, a host of Westworld’s hosts say goodbye to the old world as Dolores ushers in the promise of something different.